The Cut control is around 10%. I don't think the amp itself needs a bypass switch because there's kinda no reason you'd need to turn it off mid-song. I ended up going with the Hotone Ampero 2 Stomp and holy crap am I glad I did. For classic DR tones, it is a wash. In the former, everything is as per the controls actual settings, while the latter recalls apresaved setup, including the master output level. The app will allow you to backup and restore your preset library, access the factory and artist presets, and reassign the functions of the two footswitches. Its so good for combating the unnaturalness of aDId situationquite hard to say if Id miss the room or the spring more, if the Dream 65 had the room instead. But imo the learning curve on dialing in the exact sound you want on the helix is very high, at least in my experience. Theres no MIDI or external control, no effects loop and no headphone output, and there are no effects other than aroom or spring reverb emulation and whatever tremolo the original amp would have and they cost about the same as aStrymon Iridium, which will give you three classic amps, or an Atomic AmpliFirebox MKII, Boss IR200 or Line6 Pod Go that will give you loads. treble and boost) are active. Frankly, it sounds great. How much feel difference would you say there is? It can get very spitty when pushed hard, but thats just part of what it does. All the other amp sims can do at least 3 amps. It uses the lower-gain mic input to provide a clear, bright sound thats cool for rhythm playing with the boost knob set low (turn it up for more grit), or to push an overdrive pedal into meaty sustain. The cut, bass and treble knobs work in the usual fashion and provide plenty of range to dial-in tactile, blizzard of nails tones from humbuckers and single-coils alike. Excellent quality tone and a ton of tonal options to top bottom. In arecording context, at least, you might question the point of hardware boxes at all, given that you can access very highquality amp emulations in software, not least in the UA ecosystem, with minimal latency. If it had midi, I could add more switches and more control. I think thats what people are referring to. Sphere LX Sphere DLX UAD Plug-Ins Explore our library of the world's best plugins. Strymon Compadre - a criminally underrated pedal. . I have no need for it but if I doI will grab it. There is a reason it is on so many pros boards. For a better experience, please enable JavaScript in your browser before proceeding. You can find them used for around $300. Both full on isnt maximum bass and treble, but abig lowmid suckout: these were early days for guitaramp design! In contrast to any other hardware ampsimulator platform Ican think of, however, each of the new UA pedals models just asingle amplifier type. The latest news about Universal Audio Dream Vs Walrus Acs1 Vs Strymon Iridium Fender Amp Comparison. So you can plug straight into your DAW for recording, or into the PA at gigs and upcycle your favourite amp into a coffee table. If it had an external jack, I could add an external switch. Housed in the same aluminium chassis as the UAFX units and with the same physical layout of controls, theres amodelled 1955 widepanel Fender Deluxe, a1961/1963 Vox AC30 and a1965 Deluxe Reverb, or, to give them their full names, the Woodrow 55 Instrument Amplifier, Ruby 63 Top Boost Amplifier and Dream 65 ReverbAmp. The comparison between the. What is the glittery gold pedal with the oil rig looking graphic on the far left, bottom row? However, they perform different functions depending on the model. Universal Audio UAFX Dream '65 VS Strymon Iridium [BGM] - YouTube Answer2:24The backing after 0:20 is the sound of A.It's connected to other pedals, but only Timeline (to Lead) is. The Amp position activates the standard control complement for an AC30, while the Preset position is used to store custom sounds. Your email address will not be published. Bonus! So far, it has been a completely analog mono signal path. American Standard Pitch Notation, a true work of evil. Attain the classic USA tube amp tones that shaped music anywhere. Based on a Vox AC30 (opens in new tab) platform, the Ruby 63 Top Boost has a control layout consisting of volume, cut, output, bass, treble and boost. BA1 1UA. See the Jason Sadites videos on YouTube. The Stock position uses the instrument input and adds clean gain at low settings, although theres plenty of graininess available when the instrument volume knob is turned up. Unless you are familiar with these amps, you might think the inclusion of the Mic inputs volume control in the modelled pedal somewhat irrelevant, but the interaction of the two volumes is actually areally important part of the Tweed Deluxe sound. You can backup all your presets (User, Factory and Artist) to the app as asingle batch file, but you can only have one backup at atime, so asubsequent backup will overwrite the previous one. If the Dream 65 is asingle amp with acouple of mod options, the Ruby 63 Top Boost Amplifier is two different Vox designs: a61 preTop Boost model, and the Brilliant and Vibrato channels of a1964 Top Boost example, although both with the same quartet of EL84s for an output stage. Stunning valve-like touch dynamics + Great selection of cab models + Excellent option for live and DI recording use + Physical controls work intuitively + Additional boost modes on Woodrow and Dream add versatility Cons - The lack of designated headphone out is frustrating - No onboard effects loop - The Stomps tremolo options are great as well. JavaScript is disabled. The UA dream 65 is no exception and is probably going to rule all others in my book from a realistic tone view. Here too, UAs recommended pairing of a Silver speaker with the Normal channel for a classic Brian May setup will inspire you to check out the other micd-speaker combinations on offer here. Either way it makes me wonder why I held off for so long. The room simulation is spectacular, and just lifts you out of the dry sterility of closemiking into aplaying comfort zone when recording. Me, too. The guitars controls behave properly, and the clean tones have real life and sparkle like they should, not the generic clean tone that some modellers seem to resort to when theres no obvious distortion component. It should run fine on a pedalboard's 9V power supply. Art's busy performance schedule with three stylistically diverse groups provides ample opportunity to test-drive new guitars, amps and effects, many of which are featured in the pages of GP. Privacy Policy. JHS Morning Glory - I really like this pedal. Admittedly, I put that down to my own lack of experience with 50s tweed Fenders. Like i am in awe. Do the headphones have to be powered or does the amplification occur in the pedal? They already have ahighly regarded 55 Deluxe as aplugin, but this one, whilst using the same algorithm, models adifferent actual 55 Deluxe. Connecting to an amp: what UA call the 4cable mode.The stompbox format and ability to defeat the speaker/mic/room emulation mean these devices are obviously envisaged for connection to real guitar amps, as well as for DI recording. Key Features Overview -. The '65 Deluxe offers a choice of a Celestion Greenback 25, a periodcorrect Oxford speaker, and an EVM12. JHS Kilt v2 - Apparently this is a signature pedal, but I have no idea who STU G is. Answer2:24The backing after 0:20 is the sound of A.It's connected to other pedals, but only Timeline (to Lead) is on. The added compression on the IR seriously makes the iridium feel like a real amp. 100% Upvoted. For heavier grind the Lead setting (which cuts out the bright cap) sounds formidable when boost is turned up to 10 oclock and higher, where midrange from the tone stack is added to yield increasing amounts of fat, juicy distortion. . Detailed amp feel and performance emulation. More Details $ 399 .00 As low as $17 /month with 24 mo. I've had both/currently have neither. Acaveat here is that the footswitch modes are remembered by the pedal, so if you assign both switches to something other than Live/Preset selection, you wont be able to change mode without then using app to reassign one of them. Sort by: best. I would have loved to get the HX but it was a bit more money than I could get the ampero for. Iguess it is just the sort of compromise you have to make in trying to implement as much operational facility as possible into asmall number of physical controls. With pedal set clean in the Stock position, it was easy to get very realistic Fender Deluxe Reverb (opens in new tab) tones that sounded excellent, with lush reverb adding a beautiful wash of airiness. Press question mark to learn the rest of the keyboard shortcuts. Built on powerful dual-engine processing and UAD audio modeling expertise, the Dream '65 effects pedal delivers bold cleans, sweet breakup, and divine spring reverb and vibrato. AUSBC port is presently reserved for registration and firmware updates, but Im sure primarily studiobased users would like to see the mobile app functions implemented in awiredconnection desktop app, too. 12 different spring reverb engines. Sitemap. That said, the Iridium and the Dream are very different pedals. The loop send is then connected to input 2 on the UA pedal. External 9V DC power is required, using astandard 2.1mm centrenegative pedal connector. All the other pedals either come before the amp or after the amp. universal audio dream 65 vs iridium. financing* i Bundle Savings Available! The use of alowgain 12AY7 tube as the input stage in this design keeps the clean sound really sweet, with the fixed bright capacitor on the Instrument channel able to be balanced out by also advancing the Mic channel. 3 BIG Differences - Buyer's Guide for Strymon Iridium vs Universal Audio Dream '65. youtu.be/lYTS-y. I was back and forth between an HX Stomp and the Dream 65. Here is a tip for how to get good pedals for low prices. Some people have had decent results, but depending on the impedance of your headphones you might get very disappointing volume levels. REVERB I love spring reverb. Its that range, and the ability to find all the nuances in between, that has kept the Tweed Deluxe as one of the most favoured recording amps of all time. In all other instances, you are connected to the Hi input. You might have just beat my GAS for the Dream 65! The bottom setting is EP-III, which models the preamp from a solid-state Echoplex tape echo. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Something like the DoD Rubberneck, where you can add effects to the delay repeats. The big one. The victory preamps do this too, helix etc of course. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. When Alt is selected, the tremolo speed and intensity controls (a.k.a. 60 Cycle Hum 114K subscribers Subscribe 1.4K Share 85K views 9 months ago #guitar. I think this is a case of GAS getting the better of me because I literally cannot find anything it can do that I didnt already have. UA recommends the combination of the Blue speaker selection with the Brilliant channel as a pairing used by the Beatles and U2. The Woodrow 55 Instrument Amplifier models all the subtle nuances of aFender 5E3 Tweed amp, including the interaction between the instrument and mic stages. My background is HX Stomp, then got rid of it for a DSM Simplifier. The Dumblestyle boost is also aprogressive tonestack lift, but compensated for to some extent in later circuitry. The red switch next to it triggers the boost/solo mode. It sounds like a Deluxe Reverb. Finally, as with the Vox, since theres no integral reverb to emulate we get the lovely UA room simulation. He runs it through an 1176 and an API eq before capturing the IR and you can choose just IR, IR + 1176, IR + API eq, or IR + 1176 and API eq. However, I purposely chose to show those two things side-by-side in order to highlight the fact that these two pedals really focus on different features and different approaches to the "amp in a pedal" product. Universal Audio | Audio Interfaces | UAD Plug-Ins Audio Interfaces Apollo Volt Recording Products Grab the Keys to the Ultimate Mic Locker Get the sounds of the greatest mics ever made. I thought I would post my thoughts on the pedal and how it compares. Interesting Essay On Sampling Rights and Reforms. With no tone stack and therefore no need for amakeup gain stage, there are just Volume and Cut controls, the latter implementing atreble rolloff. This one can get very raw! Thanks for your diligence and research. Now, with the pedal bypassed, your guitar signal goes straight into the front of amp, with the pedals input 2 routing straight across to output 2 to complete the effects loop. Hmmm. I used one of these doodads with it for the headphones: Mooer Audiofile Sure, that's an additional cost, but IMO the sound quality of the Dream is worth it. For a better experience, please enable JavaScript in your browser before proceeding. Tele, bridge pickup, with guitar volume control backed off to about 70%. The place for all things related to guitar pedals. At the top is KP-3k, which models a preamp boost from the Korg SDD-3000 digital delay as famously deployed by The Edge. These are combinations that are preoptimised: you cant mix and match speakers with mics, or alter their positioning, or relative balance. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! I had both and sold the Iridium. Last edited: Aug 28, 2022 rhyming_orange Member Messages 634 Aug 28, 2022 #3 Recorded to DAW via a two-channel DI box straight from the stereo output of the pedal, with no recording or mix processing. BLUF: the UAFX Dream 65 is a great pedal but not really that much of a jump from the HX Stomp. UA appear to be calculating that there are players who weigh up the price, facilities and, above all, sound balance quite differently, and Ithink they might be right. The Woodrow takes you straight to the 50s zone by virtue of its two channels, which are internally jumpered to facilitate blending the brighter more aggressive instrument channel with the cleaner-, bassier-sounding mic channel. For those that are interested, here is my signal chain: JHS Cheese Ball - a surprisingly versaitile fuzz. As a result, if you're deciding between the two, it really depends on your needs. I saw some demos and it looks and sounds great. This is not a review of the iridium . Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. I've also have bought 3rd party IRs to achieve great sounds but am pretty sure I could achieve great sounds with the stock cabs too. The different helix units also have a lot more foot switches for live application, as well as more ins and outs. I was curious to see an opinion from someone who had used an irridium. So in theory, you could set the 3 switches to be boost, reverb and tremelo? You could play for years and never find them all. Econom ist ft) n o c > " 5 C/i ft) Name all your Women -- Artist whom you LOVE Where can I buy (and what is) a "Standard" Telecaster bridge pickup. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. The Fender "round" model on the Iridium is good but it doesn't match the Dream. The con would clearly be versatility. I think the Dream 65 is a great pedal that sounds amazing and is relatively easy to use. (30) Compare Universal Audio UAD-2 Satellite Thunderbolt 3 OCTO Core Clever, but also potentially accidentprone enough to have the app asking you confirm, alongside aFeedback Possible warning. Thanks for the detailed write up. Huge in mono, and some subtle spread in stereo. According to what someone from UA said on their forums, a Y-splitter from 2x mono male to 1x stereo female works for headphones. Thats one area where Im very happy to see modelling departing from accuracy! Although initially concerned, Ifound Isoon ceased to think about it at all, because if you fundamentally dont like the speaker sound its so easy to just move on to another one and see if it is better. Ya know I hadnt considered this but it doesnt seem like any in this line have a headphone out which is quite unfortunate. The single volume control behaves like the one on the Vib channel of the real thing, complete with the hardwired bright capacitor across it. share. I replaced my Flint for this pedal and couldn't be happier. I could match anything from the Dream on the Stomp. Personally, Iprefer my amp emulations to come in ahardware box with physical controls, preferably the same as the ones on the real amp, to which Ican directly connect aguitar and know that input level and impedance are not variables. The inclusion of multiple amp emulations in hardware digital modellers from day one may have created aculture of expectation that perhaps doesnt now quite fit the realworld experience. That's not to say that the 2-610 doesn't possess vintage heritage. Art Thompson is Senior Editor of Guitar Player magazine. Controls include Volume, Reverb, Output, Bass, Treble and Boost. Im trying to set my stomp and dream up like this. Wouldn't it be cool if the UAFX Starlight echo could also have that option? Dynamically modelled Celestion Alnico Blue speaker, with Shure SM57. As per the original circuit mod, vibrato is only available when the boost knob is off. Yes, I also own an Iridium. Hey first of all thanks for the honest and detailed comparison to the capabilities of both the stomp and the dream 65! Now you have the convenience of grinding things up via the boost knob, which can deliver up to 10dB of clean level to the front end. All in all, Id say these are the most analoguesounding and feeling digital things Ive ever used in conjunction with areal tube amp. They are extremely well recorded. Boost comes from anicely modelled Maestro Echoplex EP3 preamp stage, which adds colour and abit of heft to the sound. Someone mentioned in the other thread that apparently the outputs have the impedance to drive headphones and you can combine the outputs with another cable to get stereo, but it seems pretty inconvenient. Theres an interesting reconfiguration of the ins and outs available within the app in the form of 4cable mode, designed for use with amps that have an effects loop. The Dream '65 Reverb Amp is housed in a heavy-duty metal chassis. I thought the Dream didn't work with headphones? Modelled speaker options are 2x12 configurations of vintage 15W Celestion Silver Bulldogs, Alnico Blues, or modern G12Anniversary models, with the bonus cabs offering amodern rendition of the Alnico Blues, modern Matchlessampstyle speakers, or amodern Celestion Alnico Gold in a1x12 cab.